ZZ Top guitarist and vocalist Billy F Gibbons announces solo album

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BILLY F GIBBONS PRESENTS ‘THE BIG BAD BLUES’

A “DOWN AN’ DIRTY” COLLECTION OF BFG ORIGINALS &
CLASSIC BLUES COVERS RELEASED SEPTEMBER 21ST VIA SNAKEFARM RECORDS

With his signature beard and African headgear, Billy F Gibbons is instantly recognisable. He’s best known as the centrepiece and one third of ZZ Top, the band that came together in 1969 and has stayed part of the American musical landscape ever since – the longest running major rock band still composed of its original members.

In 2015, Concord Records released Billy’s debut solo album, the Afro-Cuban flavoured ‘Perfectamundo’, which was followed by performances at the Havana Jazz Festival. Now, its follow-up comes in the shape of ‘The Big Bad Blues’, released September 21st via Snakefarm Records.

Co-produced by Billy and Joe Hardy, and put to tape at Foam Box Recordings in the former’s hometown of Houston, it is just as the title suggests – a lovingly crafted collection fuelled by Billys’ lifelong love of the blues and rock ‘n’ roll, showcasing the unique vocals and guitar licks that have together informed his numerous hits over the past five decades.

The record features 11 tracks balancing classic covers, like Muddy Waters’ ‘Rollin’ and Tumblin’’ and ‘Standing Around Crying’, with some of Billy’s signature new blues originals, all recorded by a stellar line-up of musicians including Hardy on bass, Matt Sorum (Guns N’ Roses/Velvet Revolver/The Cult) and Nashville session great Greg Morrow on drums, and Austin stalwart Mike ‘The Drifter’ Flanigin on keyboards; blues harp (harmonica) duties are handled by James Harmon as well as Billy who, of course, is the album’s vocalist and guitar slinger nonpareil.

JON SPENCER ANNOUNCES DEBUT SOLO ALBUM ‘SPENCER SINGS THE HITS!’

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JON SPENCER ANNOUNCES DEBUT SOLO ALBUM

‘SPENCER SINGS THE HITS!’ RELEASED NOVEMBER 2nd VIA IN THE RED RECORDS

UK DATES ANNOUNCED SUPPORTING THE MELVINS IN OCTOBER

Check out ‘Do The Trash Can’ – the album’s explosive opening track here:

https://www.youtube.com/watch?v=VB_ImhZTUBc

JON SPENCER, THE BLUES EXPLOSION MAN who put the BELLBOTTOMS on BABY DRIVER! The Top Cat who spread the Secret Sauce in BOSS HOG! The Rockabilly Right-Hook from Heavyweight Outlaws HEAVY TRASH! The Swank-Fucking Master of PUSSY GALORE!

Jon Spencer is back! Often imitated, never duplicated, the original NYC underground-rock legend returns from the wilderness with twelve red-hot hits, each more powerful than the last!

This is Garage Punk for Now People! A wizard’s brew of rhythm & blues and subversive dance grooves, weaponized with sci-fi skronk and industrial attitude, calibrated for the Revolution, a ball-peen hammer of sound guaranteed to destroy any post-modern hangover!

Pulsing with energy, clanging with excitement, and dripping with radioactive soul and raw emotion, Jon Spencer opens up his heart like never before, exploring man’s modern condition with caustic guitars and outerworld crooning, asking and answering the musical question, “Is it possible to torch the cut-throat world of fake news and pre-fab, plastic-coated teen ennui with the cold hard facts of rock’n’roll?”

THE ANSWER IS YES! SPENCER SINGS THE HITS!

This is the truth serum the World has been craving, the beginning of a rock’n’roll special counsel that takes no prisoners and puts the squares on ice.

For the recording, Jon travelled to the wilds of Benton Harbor, MI, to work with Bill Skibbe at the fabled Key Club Recording Company (where he had previously recorded the 2012 Blues Explosion album ‘Meat and Bone’) and enlisted the help and talents of friends Sam Coomes (Quasi, Heatmeiser) and M. Sord (M. Sord) to help track the songs.

“Sam is someone with whom I have crossed paths many times over the years, explains Spencer. “I have always been a fan of his wild keyboard style and twisted tunesmith-ery. (In fact we kicked around the idea of a collaboration way back in the early aughts.) I got to know Sord from previous visits to and projects done at the Key Club (Andre Williams, JSBX, & Boss Hog), he was the handyman and assistant engineer that turned out to be a great drummer.”

They set to work in the fall of 2017 where the songs were roughed out and brought to life on the studio floor, before the session was cut short due to the sudden death of Jon’s father-in-law.

“I had to rush back East to be with family, he explains. “But we accomplished enough – got basics down for all songs. I went back to Michigan (solo) in January to overdub and mix. In general, throughout the project, I tried not to overthink anything and instead just kept pushing forward, trusting in my instincts. I figured that I had already spent months and years thinking about this record and these songs”

‘Spencer Sings The Hits!’ comes strutting and swaggering out of your speakers, opening track ‘Do The Trash Can’, revving into life with a stripped-down floor tom-snare groove, before Spencer detonates the song into life with a howl of distortion and noise. It’s perfect Jon Spencer rock n’ roll in every way and with a sly nod to the past, features the clanking metal percussion associated with former band Pussy Galore (* former Pussy Galore cohort Bob Bert will be banging metal on live dates!)

“Nothing like digging the gas tank from an old Chevy out of a Michigan junkyard snow bank in January,” laughs Spencer. “The junkyard owner kept asking me if the metal was for a school project, but as a bluegrass player he could understand the possible use for a recording session.”

Eleven prime slices of righteous rock n’roll follow. Smouldering and smoking and exploding out of the valves. Jon Spencer IS rock n’roll.

TRACKLIST:
01 “Do The Trash Can”
02 “Fake”
03 “Overload”
04 “Time 2 Be Bad”
05 “Ghost”
06 “Beetle Boots”
07 “Hornet
08 “Wilderness”
09 “Love Handle”
10 “I Got the Hits”
11 “Alien Humidity”
12 “Cape”

Joyce Manor announce new album Million Dollars To Kill Me

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On September 21st, Joyce Manor will release their fifth full-length effort, Million Dollars to Kill Me. The album follows 2016’s critically lauded release, Cody.

Today, Joyce Manor have shared a lyric video for the title track from Million Dollars to Kill Me. With its Britpop-esque hooks and driving guitar riffs, “Million Dollars to Kill Me” centers on Joyce Manor’s understated-yet-poignant lyrics (e.g., “Nobody tells you it hurts to be loved”).

Produced by Converge’s Kurt Ballou, Million Dollars to Kill Me came to life at Ballou’s own GodCity Studio in Salem, Massachusetts. During the recording process, Joyce Manor guitarist/vocalist Barry Johnson, guitarist Chase Knobbe, bassist Matt Ebert, and new drummer Pat Ware slept right upstairs in bunk beds. “Kinda felt like camp,” Johnson notes. Additionally, Million Dollars to Kill Me was mixed by Andrew Scheps (Weezer, AFI, Green Day).

While Cody focused on growing up, Million Dollars to Kill Me looks at what happens next: reckonings with love, money, doubt, confusion, and the hope that persists despite it all. Throughout the album, Joyce Manor augment that tension with their layered guitar work: Knobbe’s uncommon ability to make songs sound sadder and tougher at the same time, Johnson’s flair for mixing minor and major chords to invoke a precise kind of overpowering melancholy.

Co-founded by Johnson and Knobbe in L.A.’s South Bay, Joyce Manor released their self-titled first album in 2011. The band made their Epitaph Records debut with Never Hungover Again, a 2014 effort that Pitchfork hailed as “their most ambitious and diverse album, as weird as it is instantly enjoyable.”

MILLION DOLLARS TO KILL ME TRACKLIST:

1. Fighting Kangaroo
2. Think I’m Still In Love With You
3. Big Lie
4. I’m Not The One
5. Million Dollars To Kill Me
6. Silly Games
7. Friends We Met Online
8. Up the Punx
9. Gone Tomorrow
10. Wildflowers

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